PAGE 4 THE IRONMAN COMETH BY TERESA LEE RUSHWORTH I envisioned a giant Swiss Army Knife set afloat as a ship, complete with oars. Liccione, one of four metalworkers, was responsible for the motorized Swiss Army Knife's huge corkscrew. The final product, Knife Ship 1," was com- pleted in ~985 and measures over 40 feet in length and some 31 feet in height. At the other end of the spectrum, Liccione sometimes employed his metalworking skills in the making of jewelry. Through his many experiences, James Liccione's signature style began to emerge and become re- fined, lie had developed an interest in sculptural furniture that was beginning to burgeon into a passion. In addition to placing works in galleries, he created numerous pieces for use on television and movie sets, including those of The Cosby Show, Saturday Night Live, The Odd Couple end Sesame Street. Since his technique departs from the straight. angular shapes often seen in metal sculpture, he recalls directors referring to his 'funky pieces.' The marriage of the practical with the ornamental is at the core of Liccione's motivation as an artist. He is driven - by a desire to make something that is functional and able to be used, but is also a one-of-a-kind piece of fine art, "We live in a throwaway society," he observes.,~' but my work can be used and handed down.' Thus, his body of work includes sculpted metal chairs, sofas and timepieces, as well as ornate, evocative gates. Nature also plays an important role in his inspiration. To some degree, this occurred as an outgrowth of his years living in New York City, where he enjoyed the excitement of the cultural atmosphere and the novelty of running into such interesting characters as Andy Warhol. But he discov- ered that he missed the parks and beaches of the tropical environment he had already experienced in Florida. "He needed the energy from nature," explains his wife and part- ner Caryl, a professional artist in her own right. And so, in late ~98S, Liccione returned to Florida, settling on the Treasure Coast. Since that time he has im- mersed himself not only in his own art but in that of many others: he is employed as a conservator by the Vero Beach Museum of Art, where he manages the foundr~ sets up exhibits, performs restoration work and assists in the edu- cation department. Indeed,enjoys sharing his skills with others: he is also an adjunct professor of art at Indian River Community College. Liccione's love of nature, especially the tropics, led to a series of sculptures featuring a rainforest theme; tranquility and motion are suggested simultaneously by graceful drag- onflies and leaves. The shapes of nature, in fact, pervade all of his works-even the timepieces and furniture pieces The gates adja- cent to the cafe at the Vero Beach Museum of Art stand as an 11-
foot memorial to the artist's father, Jomes A. Liccione Sr., who helped design them. The gates ore constructed of aircraft aluminum covered With copper, which in turn is coated with a patirm. The patina causes a chemical reaction resulting in the green color; other types of patinas produce different colors. VERO BEACH MAGAZINE JANUARY 186 |